"Writing Deep Point Of View:
Professional Techniques for Fiction Authors"
by Rayne Hall
Review:
Writing in deep POV may sound easy
and natural. After all this is what we – as beings – experience every
day, don’t way? Right. And wrong at the same time. As writers we may
THINK we apply that one person filter that we do on a daily basis in our
personal life, alas the secret voices of imagination whispering our
brains throw in the more than occasional rock. It hadn’t occurred to me
how far I could stray from the truth until observant test-readers asked
to put in a “he thought” and “he realized” here and there.
What?
Now
that was exactly how I did not want to write and
did this person not
understand
I wrote in “deep POV” and therefore did not need those
distancers?
It was no coincidence that when I became aware of Rayne Hall’s “writerly advice series” this book was the first I immersed myself in and – wouldn’t you know –
It was no coincidence that when I became aware of Rayne Hall’s “writerly advice series” this book was the first I immersed myself in and – wouldn’t you know –
she enlightened me in a way no kind
critter could have done.
By not only addressing all aspects of writing
in deep POV,
but pointing at common traps she spelled out where
“I”
erred – and not my readers ;)
While the book also covers the varieties of POVs in general to get the feeling, the focus is on deep POV in 1st, 2nd and 3rd – with the latter my preferred one and therefore I skipped over most other examples. But those examples and the assignments at the end of each chapter offer the chance to really see what is going on and understand what is needed to make deep POV work. I would have liked a bit more on character thoughts as this was what I had been looking forward to the most. In retrospective I struggled more with character descriptions and the biggest AHA moments I had with “similes for backstory” –
While the book also covers the varieties of POVs in general to get the feeling, the focus is on deep POV in 1st, 2nd and 3rd – with the latter my preferred one and therefore I skipped over most other examples. But those examples and the assignments at the end of each chapter offer the chance to really see what is going on and understand what is needed to make deep POV work. I would have liked a bit more on character thoughts as this was what I had been looking forward to the most. In retrospective I struggled more with character descriptions and the biggest AHA moments I had with “similes for backstory” –
even though other places I’ve been told to
avoid...
While Rayne Hall suggests this book is not for the beginning writer – and I agree in parts because of terminology and because a level of experience is expected even in examples –
While Rayne Hall suggests this book is not for the beginning writer – and I agree in parts because of terminology and because a level of experience is expected even in examples –
I would still
recommend it for them:
what better then to start “deep” and never have
to wonder?
Deep POV done right as explained in detailed steps by Rayne Hall gives you the tools to truly connect to your reader – or even better: the reader to your POV character. And with that the chance is there to submerge a reader into your story – and keep him rooted.
Deep POV done right as explained in detailed steps by Rayne Hall gives you the tools to truly connect to your reader – or even better: the reader to your POV character. And with that the chance is there to submerge a reader into your story – and keep him rooted.
And
which books do we remember best? Those we lost ourselves in.
So, grab
the chance and find out how to pass on this experience
to truly become
part of the story – for however long it lasts!
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