When
Louis C.K. hosted Saturday Night Live recently he began his stand-up
monologue with the oldest, dumbest joke in the world. “Why did the
chicken cross the road?”
Then
he went on to turn that rather lame beginning into a smart commentary
on racism. “Why did the chicken cross the road? Because there was a
black guy walking behind him. And he was nervous. He was new to the
city, this chicken. And he was, like, I feel like he’s following me but
I’m not sure.” And so the monologue continued, using deft humor to
disarm us just long enough to take a hard look inside our own hearts and
see what might be lurking there. It was a nice piece of writing.
He
was also using one of my favorite tricks as a writer. If brilliance
isn’t happening, if you find yourself staring endlessly at a screen
empty of anything but a blinking cursor, just write something stupid to
get you going.
Imagine
Louis C.K. trying to figure out what to write for his big moment on the
SNL stage. It would be enough to seize up any writer’s mental wheels.
So finally, he starts with something any second grader could have come
up with. “Why did the chicken cross the road?”
Now
he’s no longer sitting there worrying over an empty page. He can get to
work pounding the keyboard, connecting that random opening line to a
smarter second one. And then another. Most often when I’m working like
this the stupid first sentence disappears altogether as the piece takes
shape. Occasionally, like the SNL monologue, I can find a tension
between a dumb set-up line and the smarter material that follows and use
that to make the writing interesting. In the end either way works. The
point is, sometimes you need to sneak up on brilliance. Just get the
writing moving. Then you can see what develops.
A
few years ago I spoke to a group of co-workers about creativity. One of
the best slides in my Powerpoint was, “Make Stupid your Friend.” Under
that heading I listed four thoughts.
-Stupid makes us human.
-Stupid is easy. It gets the lid on the jar loosened up.
-Stupid allows you to go places you shouldn’t and see what happens.
-You might be able to bend a stupid idea 10% and suddenly it’s brilliant.
It’s
probably not a method you’ll find taught in many college writing
classes. But when I need unfettered creativity I’ve found that writing a
fast, dumb line to start it off is one of the best tricks I know to
take the pressure off my brain. I can always steer things in a more
high-minded direction later on, once the real work of writing gets
underway.
So
if you find yourself with brow furrowed and head in hands trying to
think up some profound way to start out your next piece of writing, give
something stupid a try instead. You might like what happens next.